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Format: Either PAL or NTSC (depending on world location), Region 0 (Multi-Region/Worldwide). Certification: Christine Day is a young Broadway singer in New York City. He is Enrique (Lon Chaney), the Phantom, a hideously disfigured composer whose dream is to turn chorus singer Christine (Mary Philbin) into a diva. 85:1 0 There she is coached by a mysterious caped figure who will do anything to make her the star of the opera even if it means murdering people, and the figure is none other than Erik Destler himself. Once Christine sings his music, she is taken from present day New York to 1881 London were she is the star of the London Opera House. This enigmatic masked presence is Erik, also known as the Phantom (Lon Chaney), a horribly disfigured recluse who lives underneath the Paris Opera House. Director: Laurence ConnerCast: Ramin Karimloo, Sierra Boggess, Barry James, Gareth Snook, Liz RobertsonRegion Code: 2 (UK & Europe)Cert: EFormat: DVD
Reviews
Jules
Lloyd Webber has added a new number "Learn to Be Lonely" which plays over the end credits, sung by Minnie Driver in her own interesting singing voice. Gerard Butler is a fine Phantom, especially adept at making the role very human and vulnerable, yet also menacing and violent when the situation calls for it. His singing voice is acceptable ("Music of the Night", the Phantom's aria, is sailed through with little trouble). Joel Schumacher's film version of Andrew Lloyd Webber's THE PHANTOM OF THE OPERA is a perfect testemant to what has become the most successful stage production of all time.
Byron Kolln
The film version of PHANTOM has been a long time coming . He also has a fantastic singing voice as you would expect from his stage pedigree.
Melissa
Little more than a teenager when she made her auspicious debut here as Christine, Miss Rossum is the innocent heart of the story. Complications arise when Christine is reunited with her childhood sweetheart Raoul. The role has been somewhat re-written here as a more swashbuckling physical adversary to the Phantom.
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